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The alto saxophone is pitched in the key of E ♭, smaller than the B ♭ tenor but larger than the B ♭ soprano. It is the most common saxophone and is used in popular music , concert bands , chamber music , solo repertoire , military bands , marching bands , pep bands , carnatic music , and jazz (such as big bands , jazz combos , swing music ).
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
The clarinet and tenor saxophone player Jimmy Giuffre used a clarinet-style embouchure with a tenor saxophone with a specially-modified neck. [3] It is still commonly, and controversially, taught to beginning students as a shortcut to a passable result in lieu of more sustained effort developing embouchure strength and technique.
Saxophone altissimo is generally considered to be any note that is higher than written high F ♯, which is considered the highest note in the saxophone's regular range.. Altissimo is produced by the player using various voicing techniques such as air stream, tongue, throat and embouchure variations to disturb the fundamental of a note, which results in one of the higher overtones domina
Rhapsodie for saxophone and orchestra, L.98, also known as Rhapsodie mauresque or Rhapsodie orientale, is a piece for alto saxophone and accompaniment by Claude Debussy. Completed in solo and piano form in 1911, the piece is most well known through its 1919 orchestration of the accompaniment by Jean Roger-Ducasse .
The Saxophone Concerto, Op. 14, is a three-movement concertante composition for alto saxophone and string orchestra written in 1934 by the Swedish composer Lars-Erik Larsson. The piece premiered on 27 November 1934 in Norrköping , Sweden, with Tord Benner [ sv ] conducting the Norrköping Orchestral Association . [ 1 ]
The saxophone then intertwines the melody with lyrical themes of the strings. This interaction results in tonal color. This part features tempo shifts. The saxophone then plays a cadenza that leads to the Fugato part. Syncopated rhythms are introduced in the orchestra. The saxophone soloist plays the melody which are taken up by the strings.
Note names are also used for specifying the natural scale of a transposing instrument such as a clarinet, trumpet, or saxophone. The note names used are conventional, for example a clarinet is said to be in B ♭, E ♭, or A (the three most common registers), never in A ♯, and D ♯, and B (double-flat), while an alto flute is in G. [2]