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Transfer-printed creamware bowl in the "Variety" pattern, influenced by Japonism, c. 1879–85, "Ridgways" The two brothers decided to go their own ways in 1830, by which time they were also running their uncle George's Bell Works, which William took, while John stayed at Cauldon Place.
The dinnerware design team designed the Madeira line of patterns, an innovative studio potter shape dinnerware. One of the companies top selling pattern on the Madeira shape designed by Rupert J. Deese was the pattern Madeira designed by Jerry Rothman with a dark glaze developed by Kathy Takemoto.
Specific patterns such as tobacco leaf and faux tobacco leaf were popular as were, from around 1800, Canton decorated porcelain with its figures and birds, flowers and insects. [22] Many other types of decoration such as encre de chine or Jesuit wares, made for Christian missionaries. One significant and diverse group of export wares is those ...
The pottery produced catalogues of goods in 1783, 1785, 1786, 1794, and 1814; [4] the pattern is somewhat indicative of the development of the business. There are other documents, and pattern books illustrating decoration, in the Leeds City Art Gallery and the Victoria & Albert Museum in London. [5] By 1790 the company employed 150 people.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
Creamware is made from white clays from Dorset and Devon combined with an amount of calcined flint.This body is the same as that used for salt-glazed stoneware, but it is fired to a lower temperature (around 800 °C as opposed to 1,100 to 1,200 °C) and glazed with lead to form a cream-coloured earthenware. [11]
Bow parrot, c. 1760. The green and the crimson-purple on the base are two of Bow's distinctive colours. The Bow porcelain factory (active c. 1747–64 and closed in 1776) was an emulative rival of the Chelsea porcelain factory in the manufacture of early soft-paste porcelain in Great Britain.
Historians deduce that this "Derby Pot Works" was already in full operation around 1708, on behalf of a slipware tyg, containing the inscription John Meir made this cup 1708. [8] It is known that the Pot Works produced china, due to the announcement of an auction held in 1780, when the company went bankrupt. No mention is made of enamelled ...