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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso.The poem was written in the early 14th century.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Le Goff dedicates the final chapter of his book to the Purgatorio, the second canticle of the Divine Comedy, a poem by fourteenth-century Italian author Dante Alighieri. In an interview Le Goff declared: "Dante's Purgatorio represents the sublime conclusion of the slow development of Purgatory that took place in the course of the Middle Ages ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence. In 1373, a little more than half a century after Dante's death, the Florentine authorities softened their attitude to him and decided to establish a department for the study of the Divine Comedy.
According to a tradition recorded by early commentators of the Divine Comedy, Pia de' Tolomei is identified as "la Pia" in Canto V of Purgatorio. In this canto, Dante and Virgil encounter souls who repented at the time of their violent deaths and now reside in the second division of Ante-Purgatory, which is at the base of the mountain of Purgatory. [1]
This is because Dante's Statius, a Christian poet who drew inspiration from Virgil, represents a model of the "new vernacular Christian Dante-poeta" in Dante's journey in the Comedy as a protagonist. Statius's arrival in Purgatorio 20 is often compared to Jesus' appearance to the disciples after the Resurrection as narrated by Luke 24:13–16. [25]