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Armitron is a watch brand manufactured by E. Gluck Corporation, headquartered in Little Neck, New York. [1] It was founded in 1975 by Eugen Gluck. As of 1999, Armitron had the fifth largest share of all watch purchasers, by brand, in the United States.
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A hunter-case pocket watch is a case with a spring-hinged circular metal lid or cover, that closes over the watch-dial and crystal, protecting them from dust, scratches and other damage or debris. The name originated from England where "fox hunting men found it convenient to be able to open their watch and read the time with one hand, while ...
An Armatron Hand detail. The Armatron is a toy robot which was made by TOMY and distributed by Radio Shack in the United States since 1984. [1] It consists of a crane-like arm which picks up small objects by the user manipulating two attached joysticks.
Manual Cinema is a performance collective, design studio, and film/video production company founded in Chicago, Illinois in 2010 [1] by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, vintage overhead projectors, live feed cameras, cinematic techniques, sound effects and ...
The AMC Amitron was an experimental electric subcompact car built in 1967 by American Motors Corporation (AMC) and Gulton Industries.It included many advanced features, including regenerative braking and advanced battery designs, to provide a 150-mile (240 km) range on a single charge.
Armitage was born in Leicester, England, the younger son of Margaret, a secretary, and John Armitage, an engineer.He has an older brother named Christopher. [10]He attended Huncote Community Primary School in Huncote, Blaby District, Leicestershire, [citation needed] and began secondary school at the local comprehensive school, Brockington College in Enderby.
Psychotronic Video was an American film magazine founded by publisher/editor Michael J. Weldon in 1980 in New York City, covering what he dubbed "psychotronic movies", which he defined as "the ones traditionally ignored or ridiculed by mainstream critics at the time of their release: horror, exploitation, action, science fiction, and movies that used to play in drive-ins or inner city ...