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Aldo van Eyck (Dutch pronunciation: [ˈɑldoː vɑn ˈɛik]; 16 March 1918 – 14 January 1999 [1]) was a Dutch architect. He was one of the most influential protagonists of the architectural movement Structuralism .
The group's first formal meeting under the name of Team 10 took place in Bagnols-sur-Cèze in 1960. The last, with only four members present, was in Lisbon in 1981.. Team 10 had a fluid membership, yet a core group actively organized the various meetings, which consisted of Alison and Peter Smithson, Jaap Bakema, Aldo van Eyck, Georges Candilis, Shadrach Woods, and Giancarlo De Carlo. [1]
Nagele was designed by the architectural team "De 8" between 1948 and 1954. The final design by Aldo van Eyck and de 8 was shown at the CIAM 8 meeting in 1956. While the current condition of the town differs from the original design, some of the basic concepts remain.
Hertzberger and Aldo van Eyck influenced the development of the Dutch Structuralist movement of the 1960s and 1970s. [citation needed] Among his buildings are the experimental houses known as "Diagoon Houses" (1971), the Montessori school in Delft (1966–70) and the administration building for the Centraal Beheer Insurance Company building in Apeldoorn (1970–72).
Editor Dirk van den Heuvel about structuralism in the Netherlands on page 208: "Structuralism never turned into a real movement or an organized group." Francis Strauven, Aldo van Eyck - The Shape of Relativity, Amsterdam 1998 (1994). Biography of Aldo van Eyck and his "Configurative Discipline" of designing.
The architect Aldo van Eyck, who would later become known for his architecture of playgrounds as cultural critique, was asked to do the interior design of the exhibition. The close relationship between Van Eyck and the artists from the CoBrA, who also drew their inspiration in particular from children's drawings, makes it probable that much of ...
The Schmela Haus was built by Dutch architect Aldo van Eyck (1918–1999), a key representative of structuralist architecture. Inaugurated in 1971, and now under landmarks protection, it was the first building in the Federal German Republic to be erected specifically as a private art gallery.
Back in Amsterdam in the summer of 1952 he developed an interest in spatial architecture and three-dimensional works. With Aldo van Eyck, whom he met during his CoBrA time, he created a space for the exhibition 'Man and House' at the Urban Museum Amsterdam from 1952-1953. In 1954 he worked on a project with Gerrit Rietveld.