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In a rare film review, filmmaker Erich von Stroheim criticized the film's story and non-linear structure, but praised the technical style and performances, and wrote "Whatever the truth may be about it, Citizen Kane is a great picture and will go down in screen history. More power to Welles!"
RKO 281 is a 1999 American historical drama television film directed by Benjamin Ross, written by John Logan, and starring Liev Schreiber, James Cromwell, Melanie Griffith, John Malkovich, Roy Scheider, and Liam Cunningham. The film depicts the troubled production behind the 1941 film Citizen Kane.
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
The Battle Over Citizen Kane is a 1996 American documentary film directed and produced by Thomas Lennon and Michael Epstein, from a screenplay by Lennon and Richard Ben Cramer, who also narrates. [1] It chronicles the clash between Orson Welles and William Randolph Hearst over the production and release of Welles's 1941 film Citizen Kane ...
Mank is a 2020 American biographical drama film about screenwriter Herman J. Mankiewicz and his development of the screenplay for the 1941 film Citizen Kane.It was directed by David Fincher based on a screenplay written by his late father Jack Fincher and was produced by Ceán Chaffin, Douglas Urbanski, and Eric Roth.
Citizen Kane: A Filmmaker’s Journey describes Welles' rise to prominence, the creative control he received in his first Hollywood contract, studio infighting over the project at RKO Radio Pictures, the pressurized production schedule, the plot by the Hearst Corporation – critical of the similarity between real-life publisher William Randolph Hearst and the character of Charles Foster Kane ...
The film is consistently ranked as the greatest film ever made. [ 6 ] [ 7 ] Welles's second film was The Magnificent Ambersons (1942), which he wrote and directed. He worked as actor, screenwriter, uncredited producer and uncredited co-director of 1943's Journey Into Fear , and directed and co-starred in 1946's The Stranger , his only ...
When Welles was a child Stevens used to tell him stories about Hearst, much like Leland tells Thompson about Kane in the film. [11]: 188 Welles said that he learned most of what he knew about the life of Hearst from Stevens. Welles sent Stevens an advance copy of the Citizen Kane script, and took him to the set during filming.
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