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The luminous cloud, a sign of the Holy Spirit came down on the mountain at the time of the Transfiguration and also covered Christ. [12] The Byzantine iconography of the Transfiguration emphasized light and the manifestation of the glory of God. The introduction of the Transfiguration mandorla intended to convey the luminescence of divine glory ...
Such an image is often placed in the apse of the sanctuary of an Orthodox church above the Holy Table (altar). [ 2 ] As with most Orthodox icons of Mary, the letters ΜΡ ΘΥ (short for Μ ΗΤΗ Ρ Θ ΕΟ Υ , " Mother of God ") are usually placed on the upper left and right of the head of the Virgin Mary.
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The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Blue is the colour of human life, white is the Uncreated Light of God, only used for resurrection and transfiguration of Christ. In icons of Jesus and Mary, Jesus wears red undergarment with a blue outer garment (representing God becoming human) and Mary wears a blue undergarment with a red overgarment (representing a human who was granted ...
According to Christian legend, the image of Edessa, (known to the Eastern Orthodox Church as the Mandylion, a Medieval Greek word not applied in any other context), was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus was imprinted — the first icon ("image").
The icon symbolizes the pregnancy of the Virgin: it shows Our Lady with hands raised for praying and the figure of the holy infant in her chest in the circle (orans type of icons). The icon is 2-sided: saint Joachim and saint Anne in praying are pictured on the back side. It has a shaft which for an icon indicates the ability to be carried outside.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who took up iconography needed to start his craft by producing the icon of the Transfiguration. [85] Whereas Western depictions aim for proportion, the abolition of perspective and alterations in the size and proportion of an image in Eastern icons aim to ...
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