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In Ancient Greek mythology, Olethros / ˈ ɒ l ɪ ˌ θ r ɒ s / (Greek: ὄλεθρος) was the personification of havoc and probably one of the Makhai. [citation needed]Olethros translates roughly in ancient Greek to "destruction", but often with a positive connotation, as in the destruction required for and preceding renewal.
The saying Whom the gods would destroy, they first make mad, sometimes given in Latin as Quos Deus vult perdere, prius dementat (literally: Those whom God wishes to destroy, he first deprives of reason) or Quem Iuppiter vult perdere, dementat prius (literally: Those whom Jupiter wishes to destroy, he first deprives of reason) has been used in English literature since at least the 17th century.
In Buddhism, the symbol of a wheel represents the perpetual cycle of death and rebirth that happens in samsara. [6] The symbol of a grave or tomb, especially one in a picturesque or unusual location, can be used to represent death, as in Nicolas Poussin's famous painting Et in Arcadia ego. Images of life in the afterlife are also symbols of death.
Sight of God's supernatural works and retribution would militate against faith in God's Word. [5] William Lane Craig says, in Paul's view, God's properties, his eternal power and deity, are clearly revealed in creation, so that people who fail to believe in an eternal, powerful creator of the world are without excuse. Indeed, Paul says that ...
Apollyon (top) battling Christian in John Bunyan's The Pilgrim's Progress.. The Hebrew term Abaddon (Hebrew: אֲבַדּוֹן ’Ăḇaddōn, meaning "destruction", "doom") and its Greek equivalent Apollyon (Koinē Greek: Ἀπολλύων, Apollúōn meaning "Destroyer") appear in the Bible as both a place of destruction and an angel of the abyss.
In the Bronze Age, the most significant episode of iconoclasm occurred in Egypt during the Amarna Period, when Akhenaten, based in his new capital of Akhetaten, instituted a significant shift in Egyptian artistic styles alongside a campaign of intolerance towards the traditional gods and a new emphasis on a state monolatristic tradition focused on the god Aten, the Sun disk—many temples and ...
It has been defined as "a mode of secluding, and rendering harmless, anything imperilling the religious life of the nation", [4] or "the total destruction of the enemy and his goods at the conclusion of a campaign", [5] or "uncompromising consecration of property and dedication of the property to God without possibility of recall or redemption ...
Apep the ultimate evil of Egyptian mythology in snake form; Isfet chaos, disorder, and injustice - opposed to Maat; Nu (mythology) primordial waters Set (deity) was not originally evil, but developed into a hated figure thanks to the invading Hyksos who identified him with their chief god, fights Apep.