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"Flashing Lights" marked West's first instance of using a version of the term "light" in a song title and he continued to do so in future song titles. West references flashing lights directly on the former, similarly to how he referred to lights on the other releases. [6] The cover art for the single was designed by Japanese artist Takashi ...
The lyrics of "Moving Pictures" focus on how life passes people by. It laments on how life is "always moving" and that "nothing in life is a permanent fixture". It then goes on to analyze life in general, with lines such as "we live, we die, no one knows why" and " life can sometimes not be very nice, but then you make your choice so you must ...
It should only contain pages that are Moving Pictures (band) songs or lists of Moving Pictures (band) songs, as well as subcategories containing those things (themselves set categories). Topics about Moving Pictures (band) songs in general should be placed in relevant topic categories .
In 1999 Cole returned to Australia and joined The Shuffle Kings in which, as from 2003, he played trumpet, recorder, keyboards and the piano accordion. [4] Garry Frost left Moving Pictures in 1984 feeling the group had lost direction. He concentrated on his song-writing and piano playing – so much so that he developed tendonitis in his wrists ...
This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs. In some cases, such as "Blue Moon", it includes notable remade recordings of songs ("covers") by other artists; but mostly the songs are shown in their original ...
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
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The song was rarely played live by the band; when it was, it was played in a modern country style. It would never have been recorded but their debut album's producer Charles Fisher heard Frost and Smith tinkering with the tune on the studio piano during a break in recording. Fisher suggested that Moving Pictures record the song. [5]