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Music Machine II (AKA The Music Machine: All About Love) (1983) is a Christian children's album by Candle that is a continuation of the Music Machine album from 1977. It is set in Agapeland, and teaches children about Love. It features the characters Stevie and Nancy.
Candle is a Christian kids' band that is best known for their Agapeland-related children's albums Music Machine and Bullfrogs and Butterflies. They recorded children's albums for Sparrow Records' Birdwing branch. The band won the 1988 Dove Award "Children's Music Album of the Year" for their album Bullfrogs and Butterflies III. [1]
Nativity scenes around the world have added a new accessory this Christmas season: the keffiyeh. In a controversial take on the classic holiday display, some churches are replacing the baby Jesus ...
Ingman also arranged the song and it features his orchestra. [9] Richard has said "I didn't record a gospel song for a long time after I became a Christian. And Jesus was the first one I did. I was convinced that it would be wrong for me just to record a single – religious sort of gospel content single – just because I was a Christian.
The story begins with Karl's violent arrival in the Holy Land of AD 28, where his time machine, a womb-like, fluid-filled sphere, cracks open and becomes useless. In numerous interpolated memories and flashbacks, Moorcock tells the parallel story of Karl's troubled past in 20th century London, to explain why he is willing to risk everything to meet Jesus.
A handwritten note atop a baby Jesus figurine, anonymously dropped off at a fire station in Fort Collins, Colorado on Dec. 19, 2024. The figurine had been reported as stolen on Dec. 15, 2024.
Superbook (also known as Superbook Reimagined) is a Christian animated television series produced by Christian Broadcasting Network with Asia-Pacific region animation studios along with locally based partners like Tokyo MX and Word of Life Press Ministries in Japan.
Amanda Lago from GMA News Online of the Philippines gave the film a positive review, praising the animation and cinematography, stating there was "a tendency for tight shots—a zoom-in on the eyes of the characters to show pain and regret, and a close-up of a nail being pounded into flesh to highlight the sheer brutality of the crucifixion."