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The rice terraces of the Cordilleras are one of the few monuments in the Philippines that show no evidence of having been influenced by colonial cultures. Owing to the difficult terrain, the Cordillera tribes are among the few peoples of the Philippines who have successfully resisted any foreign domination and have preserved their authentic tribal culture.
[133] [225] Petroglyphs and petrographs, the earliest known folk drawings and paintings, originated during the Neolithic. [226] Human figures, frogs, lizards, and other designs were depicted. They may have been primarily symbolic, associated with healing and sympathetic magic. [227] Other Asian and Western cultures influenced the art of painting.
The Banaue Rice Terraces (Filipino: Hagdan-hagdang Palayan ng Banawe) are terraces that were carved into the mountains of Banaue, Ifugao, in the Philippines, by the ancestors of the Igorot people. The terraces are occasionally called the " Eighth Wonder of the World ".
The state-of-the-art convention center designed by Ilonggo architect, William Coscolluela. The design was inspired by Iloilo's Dinagyang and Paraw Regatta festivals. The paraw is a native double outrigger sailboat in the Visayas region, used in the annual Paraw Regatta Festival sailboat race.
The inscription has five sites: the Batad Rice Terraces, Bangaan Rice Terraces (both in Banaue), Mayoyao Rice Terraces (in Mayoyao), Hungduan Rice Terraces (in Hungduan) and Nagacadan Rice Terraces (in Kiangan), all in the Ifugao Province, the Philippines. The Banaue Rice Terraces are not included in the inscription, but may be included through ...
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The Banaue Rice Terraces are part of the rice terraces of the Philippine Cordilleras. Pre-colonial Philippine societies relied more on swidden agriculture than intensive permanent agriculture. For example, in pre-colonial Visayas, the staple crops such as rice, millet, bananas and root crops were grown in swiddens (kaingin). [24]