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Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Among the early writers was Alexander Wheelock Thayer, who would become one of the first major music historians in the country. Other contributors included John Knowles Paine, William F. Apthorp, W. S. B. Mathews and C. H. Brittan. [3] In 1855, Dwight wrote English lyrics for the Christmas carol "O Holy Night", which was originally written in ...
The opening line (Holy, Holy, Holy! Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [ 3 ] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's ...
According to the secretary of the archbishop, the reason for the ban of these songs was the desire for the promotion and exclusive use of Gregorian chant and Gregorian music. [11] John Sullivan Dwight first discovered "O Holy Night" while researching songs to critique for his publication Dwight's Journal of Music. Dwight praised the song, but ...
The Holy City is a religious Victorian ballad dating from 1892, with music by Michael Maybrick writing under the alias Stephen Adams, with lyrics by Frederic Weatherly.
It came there in 1432 from Lirey in Burgundy, and is the sheet venerated from 1578 in the royal chapel of the cathedral of Turin. This feast was celebrated on 4 May, the day after the Invention of the Cross , and was approved in 1506 by Pope Julius II ; it was kept in Savoy, Piedmont , and Sardinia as the patronal feast of the royal House of ...
A total of 61 music publications by Petrucci are known. By far the most fruitful period of his life for publishing music was the period between 1501 and 1509, during which he published the three volumes of chansons (the Odhecaton being the first), 16 books of masses, five books of motets, 11 anthologies of frottole and six books of music for lute.
The Epitaphios is clearly visible through the open doors, and thus symbolizes the winding sheet left in the tomb after the resurrection. At the end of Bright Week, the Holy Doors are closed, but the Epitaphios remains on the Holy Table for 40 days, as a reminder of Jesus' physical appearances to his disciples from the time of his Resurrection ...
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