Search results
Results from the WOW.Com Content Network
Le Livre de la mutation de fortune is a 1403 poem by Christine de Pizan. [1] [2] It is a universal history that tells the story of how Fortune has affected events. [3]The frame narrative describes the process of the narrator's "transformation into a man" following the death of their husband, a metaphor used by the author expressing her adoption of the traditionally male social role of a court ...
In 2010, Shapcott published Of Mutability with Faber & Faber, her first collection for 12 years. The 45 poems explore the nature of change, in the body, within the natural world and inside relationships. [13] The book of poems was awarded the Costa Book of the Year for 2010, beating contenders in Fiction, Non-Fiction and other categories. [14]
Stories range from the maudlin (such as "The Wife" and "The Widow and Her Son") to the picaresque ("Little Britain") and the comical ("The Mutability of Literature"), but the common thread running through The Sketch Book – and a key part of its attraction to readers – is the personality of Irving's pseudonymous narrator, Geoffrey Crayon.
"Mutability" is a poem by Percy Bysshe Shelley which appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems. Half of the poem is quoted in his wife Mary Shelley 's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with ...
[citation needed] The law and literature movement focuses on connections between law and literature. This field has roots in two developments in the intellectual history of law—first, the growing doubt about whether law in isolation is a source of value and meaning, or whether it must be plugged into a large cultural or philosophical or social-science context to give it value and meaning ...
The work was first published in London in 1816 (see 1816 in poetry) under the title Alastor; or, The Spirit of Solitude: And Other Poems, printed for Baldwin, Cradock and Joy, Pater-Noster Row; and Carpenter and Son, Old Bond-Street: by S. Hamilton, Weybridge, Surrey, consisting of the title poem and the following additional poems:
For example, a book might be classified as fiction, mystery, science fiction and African American literature all at once. Genre suffers from the same ills of any classification system. Humans are pattern-seeking beings; we like to create order out of the chaos of the universe.
The literature student is blocked from the sonnet by the educational system built around it, what Percy calls its "package." Instead of transmitting the subject of education, education often transmits only itself, and the student does not view the subject as open and delightful, nor does he view himself as sovereign.