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It contained four tracks: [6] "Pretender" featured a single of Dolly Parton singing "The Great Pretender" progressively slowed down on a Lenco Bogen turntable so that she eventually sounds like a man; "Don't" was Elvis Presley's recording of the titular song overlaid with samples from the recording and overdubs by various musicians, including ...
John Oswald in San Francisco, 2016. John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer.His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage).
"The Great Pretender" is a popular song recorded by the Platters, with Tony Williams on lead vocals, and released as a single in November 1955. The words and music were written by Buck Ram , [ 1 ] the Platters' manager and producer who was a successful songwriter before moving into producing and management.
Williams was born in Elizabeth, New Jersey, the son of Bertha and Edward Williams. [1] He served in the United States Army Air Forces around the end of World War II, rising to the rank of sergeant, and after leaving military service moved to Los Angeles, where he joined his older sister Bertha, who was developing a successful singing career under the name Linda Hayes.
According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2] The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis.
The Interpretation of Music is a book by Thurston Dart. It is described by the Encyclopædia Britannica as "the best direct and concise account of the issues of performance". [ 1 ]
The Great Pretender, a 2014 novel by Craig McDonald; the fourth installment in the Hector Lassiter series The Great Pretender: The Undercover Mission That Changed Our Understanding of Madness , a 2019 book by Susannah Cahalan
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...