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  2. List of English actors - Wikipedia

    en.wikipedia.org/wiki/List_of_English_actors

    Julian Chagrin (born 1940) Dame Joan Collins (born 1933) Robbie Coltrane (1950-2022) Daniel Craig (born 1968) Michael Crawford (born 1942) Mackenzie Crook (born 1971) Benedict Cumberbatch (born 1976) Tim Curry (born 1946) Kit Connor (born 2004)

  3. List of British actors - Wikipedia

    en.wikipedia.org/wiki/List_of_British_actors

    William Simons (1940–2019) Elisabeth Sladen (1946–2011) David Soul (1943–2024) (naturalised British citizen) Ringo Starr (born 1940) Alison Steadman (born 1946) Patrick Stewart (born 1940) David Suchet (born 1946) Nigel Terry (1945–2015) John Thaw (1942–2002) Christopher Timothy (born 1940) Frances de la Tour (born 1944) Rita ...

  4. List of British films of 1940 - Wikipedia

    en.wikipedia.org/wiki/List_of_British_films_of_1940

    Title Director Cast Genre Notes 1940: 21 Days: Basil Dean: Vivien Leigh, Laurence Olivier, Leslie Banks: Drama: Filmed in 1937 All at Sea: Herbert Smith: Sandy Powell, Kay Walsh, John Warwick

  5. James Mason - Wikipedia

    en.wikipedia.org/wiki/James_Mason

    Mason began his career as a stage actor on the West End, before transitioning into leading man roles in films during the early 1940s. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945).

  6. Lists of British films - Wikipedia

    en.wikipedia.org/wiki/Lists_of_British_films

    This is a chronological list of films produced in the United Kingdom split by decade. There may be an overlap, particularly between British and American films which are sometimes co-produced; the list should attempt to document films which are either British produced or strongly associated with British culture .

  7. Cinema of the United Kingdom - Wikipedia

    en.wikipedia.org/wiki/Cinema_of_the_United_Kingdom

    Although it had been funding British experimental films as early as 1952, the British Film Institute's foundation of a production board in 1964—and a substantial increase in public funding from 1971 onwards—enabled it to become a dominant force in developing British art cinema in the 1970s and 80s: from the first of Bill Douglas's Trilogy ...

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