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Gold glass. Gold glass medallion of a youth named Gennadios, who was "most accomplished in the musical arts". Probably from Hellenized Alexandria, Egypt, c. 250–300. Diameter 4.2 cm (1 5/8 inches) [1] Rather roughly trimmed Christian piece with Jonah and the Whale, 10.5 cm across, 4th century. Gold sandwich glass was also used for the gold ...
Byzantine mosaics. 10th century mosaic of Virgin and Child on a gold ground in the former cathedral Hagia Sophia in Istanbul, Turkey. Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms ...
Tessera. A tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus. A close up of the bottom left corner of the picture above. Close inspection of the full picture reveals the individual tesserae.
The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.
Rhinestone. Historic rhinestone copy of the Florentine Diamond, made in 1865 in Paris by the L. Saemann company [1] Rhinestones on a tiara. Rowenta enamel rhinestone compact. A rhinestone, paste or diamante is a diamond simulant originally made from rock crystal but since the 19th century from crystal glass or polymers such as acrylic.
A pontello is the pontil, an iron rod that holds the glass while work is done on the edge of the glass. [19] A tagianti is a large scissors used to cut glass before it has hardened. A scagno is the workbench used by the glassmaker. [75] "Good tools are nice, but good hands are better", is an old Murano saying that reinforces the idea that the ...
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