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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Rice paste is passed through the stencil onto silk. When dyed, the color does not adhere to the areas with rice paste. By multiple alignments of the stencil, large areas can be patterned. This technique was developed in France as silk screen printing. The stencil is not generally used for more than one kimono, though multiple stencils can be ...
In their 1970 book “Silk-Screen Printing for Artists & Craftsmen”, Mathilda V. and James A. Schwalbach wrote that a “major force in the development of serigraphy as a fine art was the formation in 1940 of the National Serigraph Society.
Citing the pioneering efforts of artist Anthony Velonis, who initially spearheaded the use of the silk screen technique in the Poster Division of the W.P.A., for recognizing the possibilities of the medium, Warsager noted that the 'economy and ease of this process enabled the artist to employ sixteen to twenty colors to a print, whereas color ...
Until 2007 the two main methods of printing on glass were silk screen printing and digital UV printing. Silk screen printing, where the ink is applied directly onto the surface of the glass through a mesh stencil, was patented in 1907. Screen printed transfers, where the image is transferred from a paper onto the glass, was patented in the ...
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Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on ...
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