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Ysengrimus, from a 12th-century MS in the Bibliothèque nationale de France.. Ysengrimus is a Latin fabliau and mock epic, containing a series of anthropomorphic fables thought to have been written in 1148 or 1149 CE by the poet Nivardus.
Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
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Hair was often shoulder-length, sometimes pulled up in the back with a comb to imitate the hairstyles of the condemned. Some sported large monocles. They frequently affected a lisp, allegedly to avoid the letter "R" as in revolution, and sometimes a stooped, hunchbacked posture or slouch, as caricatured in numerous cartoons of the time. [5]
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation.Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture).
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