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QU is the third studio album by the American rock band Sherwood, released digitally and through Myspace Records to music stores on October 13, 2009. The album was released early in electronic format to some of those who pre-ordered due to shipping difficulties. The album was first announced on July 14, 2009.
Also in 2009, Sherwood's song "The Best In Me" was used as the theme to the new MTV show College Life. Despite rumors of a breakup, in 2010 Sherwood announced at a show that the band would continue on and to expect a new album in the summer of 2012. Soon after, however, the band announced their official break up.
Nathan "Nate" Henry is an American musician who is the lead singer and bassist for the indie rock band Sherwood. The band officially announced their breakup in February 2012. He, Dan Koch, and Chris Armstrong formed the band in 2002 while they were attending college in San Luis Obispo, California. He and Dan Koch composed all of Sherwood's ...
It should only contain pages that are Sherwood (band) albums or lists of Sherwood (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Sherwood (band) albums in general should be placed in relevant topic categories .
By the time singer/guitarist Scott Lucas and drummer Joe Daniels signed to Island Records and released their debut album, they were the only two members left, with Lucas adding a bass pickup to ...
Lists of people who disappeared include those whose current whereabouts are unknown, or whose deaths are unsubstantiated: Many people who disappear are eventually declared dead in absentia . Some of these people were possibly subjected to enforced disappearance , but there is insufficient information on their subsequent fates.
Kyle Sherwood, 28, came to Los Angeles for a drug treatment program. He ended up in MacArthur Park, where he was found dead, face down in a lake, according to officials. Two people have been ...
Upon its release, Some Things Never Leave You received critical praise, with reviewers noting its songwriting, performances, and ability to cover new (for the band) sonic territory while retaining the youthful earnestness of Sherwood's work from the early-to-mid-2000s. [7] [8] [9] [6] [10]