Search results
Results from the WOW.Com Content Network
Sneakin' Sally Through the Alley is based in rhythm. [10] Steve Sutherland called it "a polished and energetic primer in sophisticated body rhythms." [11] As with Palmer's other early albums, it is a synthesis of "improvised funk grooves, New Orleans R&B and tasty original". [12]
"Sneakin' Sally Through the Alley" (1975) "Give Me an Inch" (1976) ... "Fine, fine lyrics and a boiling production full of soaring strings, steady drums and sultry ...
Featured on the 2013 CD reissue by Edsel (which is bundled with Sneakin' Sally Through the Alley) are acoustic demos of "Willin'" (George) and "Hope We Never Wake". Palmer rerecorded "Work to Make It Work" for his final studio album featuring original compositions, 1999's Rhythm & Blues (released in 1998 in Japan).
His first solo album, Sneakin' Sally Through the Alley, recorded in 1974 in New Orleans was heavily influenced by the music of Little Feat and the funk fusion of the Meters, who acted as the backing band along with producer/guitarist Lowell George of Little Feat. [12] Unsuccessful in the UK, both the album and single reached the top 100 in the ...
"Sally in Our Alley" is a traditional English song, originally written by Henry Carey in 1725. [ citation needed ] It became a standard of British popular music over the following century. [ 1 ] The expression also entered popular usage, giving its name to a 1902 Broadway musical and several films including Sally in Our Alley , the 1931 screen ...
Addictions: Volume 2 is the second compilation album by English singer Robert Palmer, released in 1992.The album contained noted songs that Robert Palmer had from his Island Records albums Riptide, Sneakin' Sally Through the Alley, Pressure Drop, Double Fun, Secrets, Clues and Pride. [2]
With five multicolor play shapes, this foam fort building set will give kiddos plenty of ways to play. From a cozy couch to a castle and moat, their imagination is the limit.
Live Phish 04.02.98 is a live album by American rock group Phish, which was recorded live at the Nassau Coliseum in Uniondale, New York, on April 2, 1998, which serves as the first night of the band's four-night "Island Tour" ,