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The Songs of Distant Earth: Mike Oldfield: The Songs of Distant Earth: Arthur C. Clarke [25] Tales of Mystery and Imagination: The Alan Parsons Project: Various works of Edgar Allan Poe: Edgar Allan Poe [26] [27] A Tragedy in Steel Part II: Shakespeare's King Lear: Rebellion: King Lear: William Shakespeare [28]
Analysis is an activity most often engaged in by musicologists and most often applied to western classical music, although music of non-western cultures and of unnotated oral traditions is also often analysed. An analysis can be conducted on a single piece of music, on a portion or element of a piece or on a collection of pieces.
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
Following the identification of a word comes the understanding of meaning, and which meaning the word is intending in the context of the song. If a lyric is not properly set, a word might be mistaken for a different word, or be completely unidentified. Songs are constantly moving forward, so there is little time for the listener to decipher words.
Judy Garland singing "Over the Rainbow" for the film The Wizard of Oz (1939), which became her signature song. A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for.
Musixmatch is an Italian music data company and platform for users to search and share song lyrics with translations. Musixmatch has 80 million users (50M active users), [2] 12 million songs with their respective lyrics, and 115+ employees.
"Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, [2] [3] praising the allusiveness and subtlety of the language.