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Kishōtenketsu (起承転結) describes the structure of many classic Chinese, Korean and Japanese narratives. Kishōtenketsu is sometimes described as a narrative structure devoid of conflict , particularly when compared to common Western narrative structures.
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, ... Chinese, Jewish, English ...
They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and erudite critics. The Chinese historian and literary theorist C. T. Hsia wrote in 1968 that these six works "remain the most beloved novels among the Chinese." [2]
Ding Ling's story Miss Sophia's Diary exposes the thoughts and feelings of its female diarist in all their complexity. In the Republican period, the female literary archetypes of the "New Woman" and the "Modern Girl" developed as a response to the Confucian ideal of "good wives" and "wise mothers."
Chinese commentators have traditionally seen The Scholars as having an irregular and much relaxed structure compared to other novels, and its narrative form has continued to fascinate and be scrutinized by modern critics. [7] [2] The famous author Lu Xun wrote that "the novel has no central linking element".
The Tale of Li Wa, with its clear structure and unpredictable, moving plot, is one of the best works of chuanqi. [10]: 130–132 The story involves a young student who falls in love with the famous courtesan Li Wa. Having spent all his money on Li Wa, he is abandoned by Li Wa and her Madam and then beaten by his father.
Chinese character external structure is on how the writing units are combined level by level into a complete character. There are three levels of structural units of Chinese characters: strokes, components, and whole characters. [3] For example, character 字 (character) is composed of two components, each of which is composed of three stokes: