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TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California. TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio , the first cassette-based multi-track home studio recorders.
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for DA-98HR, suitable for recording high-resolution audio ). [ 2 ]
The company that eventually became the TEAC corporation was founded in August 1953. Originally named the Tokyo Television Acoustic Company, [3] it employed Katsuma Tani, a former aviation and aeronautics engineer, [4] who established a reputation as a highly qualified creator of audio equipment.
The Tascam Digital Interface [1] (TDIF) is a proprietary format connector defined by TASCAM that is unbalanced and uses a 25-pin D-sub cable to transmit and/or receive up to eight channels of digital audio between compatible devices.
Studer, Stellavox, Tascam, and Denon produced reel-to-reel tape recorders into the 1990s, but as of 2017, only Mechlabor [1] continues to manufacture analog reel-to-reel recorders. As of 2020 [update] , there were two companies manufacturing magnetic recording tape: ATR Services of York, Pennsylvania , and Recording the Masters in Avranches ...
Tascam incorporated dbx Type II in their Portastudio four-track cassette recorders. Tascam 's Portastudio family of 4 track cassette recorders became a standard for home hobbyists. An advantage of dbx Type I and Type II compared to Dolby noise reduction is that it did not require calibration with the output level of the tape deck, which could ...
The most common usage is the DB25, using TASCAM's pinout (now standardised in AES59 by the Audio Engineering Society [1]). To avoid the possibility of bent pins on fixed equipment, the male connector is generally fitted to the cabling and the female connector to the equipment. The DD50 connector usage is described in AES-2id. [2]
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