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Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941. Incrementation of the dating system was done every six-month period from 1941 to 1991, then every year since. By 1978, date of the transfer of the atelier from Belleville to rue de Reuilly in Paris, the date mark starts by R (for Reuilly), then the letter.
Some pieces are unmarked in all periods, and there appears to be some overlapping of marks; indeed some pieces have two different marks. There are also anchor marks in blue and brown, [12] and an extremely rare "crown and trident" mark in underglaze blue, known on only about 20 pieces, and thought to date from around 1749. A chipped beaker with ...
However, later the mark changed to an unrelated device with "Rockingham Works Mexborough" (or "Mexboro") as the subtitle, except on works produced for the Fitzwilliam household which retained the griffin mark. [10] Use of these marks together with the brown glaze and gilding on non-Rockingham shapes makes Baguley pieces easy to identify.
Pfaltzgraff is known for their stoneware collections and has released many patterns, some of the most popular including Folk Art, Yorktowne, Village, and America patterns. Pieces of the collection are identified by a Pfaltzgraff stamp on the bottom or back of the dishes.
The Van Briggle logo consists of a pair of conjoined A's inside a box, and is featured on most — but not all — Van Briggle pottery. Other marks that might appear on the bottom of their pottery include the text, "Van Briggle", "Colorado Springs, Colorado" most frequently abbreviated, artist marks indicating the artist who threw the piece or ...
Linthorpe Art Pottery can have up to four identifying marks. Firstly, the factory mark, of which there are several variations, the earliest of which was the work Linthorpe impressed, this was latterly combined with the shape of mould number one, with this being registered on 14 November 1882 as a Trademark. A slight variant of this mark was ...
The onion pattern was designed as a white ware decorated with cobalt blue underglaze pattern. Sometimes dishes have gold leaf accents on them. Some rare dishes have a green, red, pink, or black pattern instead of the cobalt blue. A very rare type is called red bud because there are red accents on the blue-and-white dishes. [1]
The technique was essential for adding complex decoration such as the Willow pattern to relatively cheap pottery. In particular, transfer printing brought the price of a matching dinner service low enough for large numbers of people to afford. Apart from pottery, the technique was used on metal, and enamelled metal, and sometimes on wood and ...
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