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A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
Muncie Pottery was founded in Muncie, Indiana in 1918 by the Gill brothers. They began producing arts and crafts style art pottery in 1922. Reuben Haley designed three art deco lines for the company beginning in 1926. The Rombic line utilized cubist designs, the Figural line used low relief designs, and the Spanish line used flowing organic forms.
Joy Navasie was born in 1919. [1] As well as the art of pottery, the name Frog Woman was passed down from her mother, Paqua Naha. [2] [3]Navasie carries on the white ware pottery tradition from her mother, which she contends was developed around 1951 or 1952.
The pottery was sold twice more in the ensuing decade and survived a fire in 1919 that gutted the interior but left the brick shell and kilns. New owners I.F. and J.H. Lewis took the opportunity to modernize and expand the facility beginning in 1920 and stabilized the production and financial aspects of the pottery for the first time.
Nantgarw Pottery; New Hall porcelain; Plymouth Porcelain; Rockingham Pottery; Royal Crown Derby, (1750/57–present) Royal Doulton, (1815–2009 acquired by Fiskars) Royal Worcester, (1751–2008 acquired by Portmeirion Pottery) Spode, (1767–2008 acquired by Portmeirion Pottery) Saint James's Factory (or "Girl-in-a-Swing", 1750s) Swansea ...
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico.Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s.
After the Second World War, studio pottery in Britain was encouraged by two forces: the wartime ban on decorating manufactured pottery and the modernist spirit of the Festival of Britain. [7] Studio potters provided consumers with an alternative to plain industrial ceramics. Their simple, functional designs chimed in with the modernist ethos.
Paqua Naha (c. 1890–1955), also known as "Frog Woman", was a Hopi-Tewa potter. She worked in the "black-and-red on yellow" style of pottery, which Nampeyo popularized as Sikyátki revival ware.