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The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The Gospel accounts (Matthew 17:1–9, Mark 9:2–8, Luke 9:28–36) describe the disciples as "sore afraid", but also as initially "heavy with sleep", and waking to see Jesus talking with Moses and Elijah and emitting a bright light. The disciples are usually shown in a mixture of prostrate, kneeling, or reeling poses which are dramatic and ...
Second dream: In Matthew 2:13, Joseph is warned to leave Bethlehem and flee to Egypt. Third dream: In Matthew 2:19–20, while in Egypt, Joseph is told that it is safe to go back to Israel. Fourth dream: In Matthew 2:22, because he had been warned in a dream, Joseph awakens to depart for the region of Galilee instead of going to Judea.
The flight into Egypt is a story recounted in the Gospel of Matthew (Matthew 2:13–23) and in New Testament apocrypha.Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him.
Matthew 2:6 is the sixth verse of the second chapter of the Gospel of Matthew in the New Testament. The magi have informed King Herod that they had seen portents showing the birth of the King of the Jews. Herod has asked the leading Jewish religious figures about how to find out where Jesus was to be born.
Matthew 1:18–25 Amram's contemplation about his wife's pregnancy: Josephus, Ant 2.210-216 Joseph was told that Jesus will be savior of his people from sins: Matthew 1:21: Moses was destined to be savior of his people: Josephus, Ant 2:228; b. Sot.a 12b Herod learned about the birth of Israel's liberator from scribes: Matthew 2:4–6
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
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