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Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
Jiuta, as well as nagauta, is a typical form of Utaimono (歌いもの, lyrical music) in traditional Japanese music. Jiuta traces its oldest origins to shamisen music, and is the predecessor of a number of later shamisen pieces, having greatly influence the development of the genre throughout the Edo period; it can be said that both jōruri ...
Min'yō, traditional Japanese folk song, must be distinguished from what the Japanese call fōku songu, from the English phrase 'folk song'. These are Western-style songs, often guitar-accompanied and generally recently composed, of the type associated with Bob Dylan, Peter, Paul and Mary and the like, and popular in Japan since the 1960s.
(in French) Audio clips: Traditional music of Japan. Musée d'ethnographie de Genève. Accessed November 25, 2010. BBC Radio 3 Audio (60 minutes): Minyo singers and Taiko drumming. Accessed November 25, 2010. BBC Radio 3 Audio (60 minutes): Sadao China, Yoriko Ganeko, The Rinken Band. Accessed November 25, 2010. columbia.jp – Japanese ...
Kouta (小唄, lit. ' little songs ') is a type of traditional Japanese music that originated in the red-light districts of Edo period (1603–1868) Japan, before developing further and experiencing wider popularity in the geisha districts that succeeded many red-light districts.
This category includes articles related to the culture and history of Japanese Americans in Texas. Pages in category "Japanese-American culture in Texas" The following 21 pages are in this category, out of 21 total.
The pressure on Ainu music throughout their history as a people under the rule of a dominant majority has come largely from the Japanese government. The Japanese government deliberately banned Ainu language , music, and dance (including the bear ceremony) in 1799 in an attempt to homogenize the Ainu with the larger Japanese population.
The Japanese Shakuhachi flute accompanies the singing, which has a free rhythm rather than a mechanical, fitted meter. In Esashi, the song was originally just called Oiwake Bushi (bushi = melody, song), but the song was so popular with visitors that the prefix 'Esashi' was added as part of the town's efforts to reinvent itself as a tourism ...