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A type of gown-like apron; first designed to protect kimono from food stains, it has baggy sleeves, is as long as the wearer's knees, and fastens with strips of cloth ties that are tied at the back of the neck and the waist. Particularly used when cooking and cleaning, it is worn by Japanese housewives, lunch ladies, and cleaners. Kanzashi
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country.
Keikogi (稽古着) (keiko, 'practice', gi, 'dress' or 'clothes'), also known as dōgi (道着) or keikoi (稽古衣), [a] is a traditional uniform worn for training in Japanese martial arts and their derivatives. Emerging in the late 19th century, the keikogi was developed by judo founder Kanō Jigorō. [1]
The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were underwear to be worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative ...
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
A jinbei (甚平) (alternately jinbē (甚兵衛) or hippari (ひっぱり)) is a traditional set of Japanese clothing worn by men, women and children during summer as loungewear. [1] Consisting of a side-tying, tube-sleeved kimono -style top and a pair of trousers, jinbei were originally menswear only, though in recent years, women's jinbei ...
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A stencil for undyed paste was used to create skiamorphic white outlines between the areas of colour, making the finished kata-yūzen pattern resemble itome-yūzen. [3] The Exposition Universelle of 1900 in Paris introduced Art Nouveau [3] (a Western art movement heavily influenced by Japanese art) [citation needed] to Japanese artists.
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