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Systems art is art influenced by cybernetics and systems theory, reflecting on natural systems, social systems, and the social signs of the art world itself. [ 1 ] Systems art emerged as part of the first wave of the conceptual art movement in the 1960s and 1970s.
Institutional critique is a practice that emerged from the developments of Minimalism and its concerns with the phenomenology of the viewer; formalist art criticism and art history (e.g. Clement Greenberg and Michael Fried); conceptual art and its concerns with language, processes, and administrative society; and the critique of authorship that begins with Roland Barthes and Michel Foucault in ...
Situationism – 1957 – early 1970s, Italy; New realism – 1960 – Magic realism – 1960s, Germany; Minimalism – 1960 – Hard-edge painting – early 1960s, United States; Fluxus – early 1960s – late-1970s; Happening – early 1960 – Video art – early 1960 – Psychedelic art – early 1960s – Conceptual art – 1960s ...
The Renaissance Society was founded in the wake of the Armory Show of 1913 at the Art Institute, which had travelled to Chicago after its contentious time in New York. Then called the International Exhibition of Modern Art, the show was met with outrage and incomprehension in New York, leading to a similarly fervent uproar when it traveled to Chicago.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. [1] Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea. [2] [3]
The return to the traditional art forms of sculpture and painting in the late 1970s and early 1980s seen in the work of neo-expressionist artists such as Georg Baselitz and Julian Schnabel has been described as a postmodern tendency, [52] and one of the first coherent movements to emerge in the postmodern era. [53]
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. [1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. [2]