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The English language uses many Greek and Latin roots, stems, and prefixes. These roots are listed alphabetically on three pages: Greek and Latin roots from A to G; Greek and Latin roots from H to O; Greek and Latin roots from P to Z. Some of those used in medicine and medical technology are listed in the List of medical roots, suffixes and ...
The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds. [1] Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: [1] the root. Note: Inversion does not change the root. (The third or ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
When the root is a higher note (E G C or G C E), the chord is inverted but retains the same root. Classified chords in tonal music usually can be described as stacks of thirds (even although some notes may be missing, particularly in chords containing more that three or four notes, i.e. 7ths, 9ths, and above).
The root language of a numerical prefix need not be related to the root language of the word that it prefixes. Some words comprising numerical prefixes are hybrid words. In certain classes of systematic names, there are a few other exceptions to the rule of using Greek-derived numerical prefixes.
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In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass.) Three situations are possible: The bass note is the root or fundamental of the chord. The chord is in root position.