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  2. Ambisonics - Wikipedia

    en.wikipedia.org/wiki/Ambisonics

    The ZYLIA ZM-1 [23] is a commercially available microphone capable of generating third-order ambisonic recordings, using 19 omni-directional capsules. The em64 Eigenmike from mh acoustics [24] is a 64-channel spherical microphone array capable of sixth-order capture. The production of the em64 has superseded their previous em32 microphone.

  3. Shure SM57 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM57

    The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...

  4. Boundary microphone - Wikipedia

    en.wikipedia.org/wiki/Boundary_microphone

    Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.

  5. Soundfield microphone - Wikipedia

    en.wikipedia.org/wiki/Soundfield_microphone

    A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called A-Format and B-Format. The sound processor may be either dedicated hardware, or a computer running software. The software processing may be done in real-time during the recording, or later offline.

  6. Neumann U 87 - Wikipedia

    en.wikipedia.org/wiki/Neumann_U_87

    Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]

  7. RCA Type 77-DX microphone - Wikipedia

    en.wikipedia.org/wiki/RCA_Type_77-DX_microphone

    The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.

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