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The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment. Also in The Aviator , Scorsese used colorized footage of Jane Russell from the original black-and-white film, The Outlaw and dog fight scenes from Hell's Angels .
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
A color film is made up of many different layers that work together to create the color image. Color negative films provide three main color layers: the blue record, green record, and red record; each made up of two separate layers containing silver halide crystals and dye-couplers.
This is a list of black and white films that were subsequently ... Made for Each Other: 1939: ... (Colorization, Inc.) [670] First film to be digitally colorized [671 ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
This dyed matrix film was brought into contact, in accurate register, with a positive print, to which the dye transferred in the appropriate areas. The print made several passes through the dye transfer machines, in contact with a separate matrix for each color. Usually, three colors were applied at the most.
A frame from George Albert Smith's early colour film ''Two Clowns'' (c. 1907)Kinemacolor was the first successful colour motion picture process.Used commercially from 1909 to 1915, it was invented by George Albert Smith in 1906.
The two prints, made on film stock half the thickness of regular film, were then cemented together back to back to create a projection print. The Toll of the Sea, which debuted on November 26, 1922, used Process 2 and was the first general-release film in Technicolor. A frame enlargement of a Technicolor segment from The Phantom of the Opera ...