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Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation.
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
While modern digital film scanning and color correcting techniques have mitigated this issue to a degree, it highlights the importance of digitizing and backing up of analog media. Technicolor continued to offer its proprietary imbibition dye-transfer printing process for projection prints until 1975, and even briefly revived it in 1998.
Retouching uses many of the same tools and techniques as hand-colouring, but with the intent of covering damage, hiding unwanted features, accentuating details, or adding missing elements in a photographic print. In a portrait retouching could be used to improve a sitter's appearance, for instance, by removing facial blemishes, and in a ...
A photograph color graded into orange and teal, complementary colors commonly used in Hollywood films. Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices.
The Handschiegl color process (U.S. patent 1,303,836, U.S. patent 1,303,837, App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints with color artificially added to selected areas of the image. Aniline dyes were applied to a black-and-white print using gelatin imbibition matrices.
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In 1940 he published his seminal book Photographing in Color, using high quality illustrations to explain his techniques. [19] Ferenc Berko, a classic photographer [vague] who lived during the rise of color film, was one of the photographers who immediately recognized the potential of color film. He saw it as a new way to frame the world; a way ...