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Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation.
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
Columbia Pictures (American Film Technologies) [284] Hearts Are Thumps: 1937: 1994: RHI Entertainment, Inc. [285] Hell Below Zero: 1954: 1992: Columbia Pictures (American Film Technologies) [286] Hellcats of the Navy: 1957: 1991: Columbia Pictures (American Film Technologies) [287] Hell's Horizon: 1955: 1992: Columbia Pictures (American Film ...
Colorization, colourization, colorisation, or colourisation may refer to: Film colorization – a process that adds color to black and white, sepia or monochrome moving-picture images Hand-colouring – methods of manually adding colour to a black-and-white photograph or other image
Kodak's first narrative film with the process was a short subject entitled Concerning $1000 (1916). Though their duplitized film provided the basis for several commercialized two-color printing processes, the image origination and color-toning methods constituting Kodak's own process were little-used.
In response to the controversy over the colorization of originally black and white films in the decade specifically, Representatives Robert J. Mrazek and Sidney R. Yates introduced the National Film Preservation Act of 1988, which established the National Film Registry, its purpose, and the criteria for selecting films for preservation. [3]
First feature-length documentary capturing natural color rather than colorization techniques. The original footage ran for 2½ hours (16,000 ft.), presented in two different programmes. The main film of the Delhi Durbar itself was shot on 12 December 1911. The rest of the film was made in other locations in India up to 30 December 1911, of ...
The Handschiegl color process (U.S. patent 1,303,836, U.S. patent 1,303,837, App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints with color artificially added to selected areas of the image. Aniline dyes were applied to a black-and-white print using gelatin imbibition matrices.