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She just wanted an angel to come to take her away from all this." Prine believes he likely was drawn to Montgomery as the song's setting by virtue of being a fan of Hank Williams, who had ties to that city. [2] Angel from Montgomery was the original title of the Cherie Bennett/Jeff Gottesfeld screenplay that became the 2006 movie Broken Bridges ...
The version of "Angel from Montgomery" was recorded at an all-star memorial concert for Steve Goodman (who died of leukemia in 1984) held in Chicago in January 1985 and released later that year as Tribute to Steve Goodman. Prine is joined by Bonnie Raitt (who recorded "Angel from Montgomery" on her 1974 Streetlights album) and guitarist David ...
I consider it a challenge, though, to paint myself into a corner and then get out.” [1] The musical arrangements were more complex than they had been in the past, with Prine biographer Eddie Huffman noting that "Common Sense" used the common I-IV-V chord progression, though Prine "mixed it up with extra chords, as usual, stretching the music ...
It was the second studio album of Montgomery's issued on Elektra and her nineteenth album overall. It was distributed as a vinyl LP, with six songs on each side of the record. [5] Following its release, No Charge peaked at the number 14 position on the American Billboard Top Country Albums chart. It was Montgomery's first solo LP to make the chart.
Sometimes the original "Gloria in excelsis Deo" refrain from the French carol is sung in place of Montgomery's lyric: "Come and worship Christ the new-born King". In the United States, "Regent Square" is the most common tune for this carol. [ 1 ]
Don't Cry Too Hard is the debut album by Canadian folk rock band Leslie Spit Treeo, released in 1990. [1] The album's primary single on radio was a cover of John Prine's "Angel from Montgomery", although the songs "Heat" and "The Sound" (which had previously appeared on the soundtrack to Bruce McDonald's film Roadkill) also garnered radio airplay.
"We Must Have Been Out of Our Minds" was Montgomery's first national hit, and the most successful recording from the Jones-Montgomery duet pairing. The song reached No. 3 on the Billboard Hot Country Singles chart in July 1963, and spent 23 weeks in the chart's top 40, one of the longer runs of any country single released during the 1960s.
Montgomery-Ward bridge in C Play ⓘ Montgomery-Ward bridge with ii–Vs in C Play ⓘ In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I 7 –IV 7 –ii 7 –V 7.
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