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Black magic as a category didn't exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. [4] The only major difference was the fact that curses were enacted in secret; [ 4 ] whereas a defense against sorcery was conducted in the open, in front of ...
[1]: 616 Fantasy writers use a variety of techniques to limit the magic in their stories, [5] such as limiting the number of spells a character has or may cast before needing rest, [5] restricting a character's magic to the use of a specific object, [5] limiting magic to the use of certain rare materials, [6] or restricting the magic a ...
The Merseburg charms are the only known surviving relics of pre-Christian, pagan poetry in Old High German literature. [3]The charms were recorded in the 10th century by a cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg.
Defensive or legitimate magic in Mesopotamia (asiputu or masmassutu in the Akkadian language) were incantations and ritual practices intended to alter specific realities. The ancient Mesopotamians believed that magic was the only viable defense against demons, ghosts, and evil sorcerers. [36]
[5] Keith Thomas: "Spiritual magic or theurgy was based on the idea that one could reach God in an ascent up the scale of creation made possible by a rigorous course of prayer, fasting and devotional preparation." [6] Pierre A. Riffard: "Theurgy is a type of magic. It consists of a set of magical practices performed to evoke beneficent spirits ...
Locus commended Vernon's "ability to craft engagingly quirky characters", and her portrayal of "a Pratchettian world where magic makes for a mostly amusing background, except when it doesn't." [ 2 ] In 2020, Locus named A Wizard's Guide to Defensive Baking among the best young adult novels of the year.
Alberich puts on the Tarnhelm and vanishes; illustration by Arthur Rackham to Richard Wagner's Das Rheingold. Invisibility in fiction is a common plot device in stories, plays, films, animated works, video games, and other media, found in both the fantasy and science fiction genres.
[5] [6] Some cultures have feared witchcraft much less than others, because they tend to have other explanations for strange misfortune; for example that it was caused by gods, spirits, demons or fairies, or by other humans who have unwittingly cast the evil eye. [5] For example, the Gaels of Ireland and the Scottish Highlands historically held ...
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