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Virtù is a concept theorized by Niccolò Machiavelli, centered on the martial spirit and ability of a population or leader, [1] but also encompassing a broader collection of traits necessary for maintenance of the state and "the achievement of great things." [2] [3] In a secondary development, the same word came to mean an object of art.
The Mandrake (Italian: La Mandragola [la manˈdraːɡola]) is a satirical play by Italian Renaissance philosopher Niccolò Machiavelli.Although the five-act comedy was published in 1524 and first performed in the carnival season of 1526, Machiavelli likely wrote The Mandrake in 1518 as a distraction from his bitterness at having been excluded from the diplomatic and political life of Florence ...
Niccolò di Bernardo dei Machiavelli [a] (3 May 1469 – 21 June 1527) was a Florentine [4] [5] diplomat, author, philosopher, and historian who lived during the Italian Renaissance. He is best known for his political treatise The Prince ( Il Principe ), written around 1513 but not published until 1532, five years after his death. [ 6 ]
In English Renaissance theatre (Elizabethan and Jacobian), the term "Machiavel" (from 'Nicholas Machiavel', an "anglicization" of Machiavelli's name based on French) was used for a stock antagonist that resorted to ruthless means to preserve the power of the state, and is now considered a synonym of the word "Machiavellian". [1] [2] [3]
The Renaissance ideal was fully adopted by the ruling classes and the aristocracy. In the early Renaissance artists were seen as craftsmen with little prestige or recognition. By the later Renaissance, the top figures wielded great influence and could charge great fees. A flourishing trade in Renaissance art developed. While in the early ...
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Benedetto Varchi, by Titian. Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
He has been repeatedly acclaimed the greatest genius to have lived. His painting of the Mona Lisa has been the most imitated artwork of all time and his drawing the Vitruvian Man iconically represents the fusion of Art and Science. Leonardo's biography has appeared in many forms, both scholarly and fictionalized.