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A typical museum label from the De Young Museum in San Francisco. A museum label is a label describing an object exhibited in a museum or one introducing a room or area. [1] [2] At a minimum, museum labels should identify the creator, title, date, location, and materials of the work, insofar as these can be known.
Labelling or using a label is describing someone or something in a word or short phrase. [1] For example, the label "criminal" may be used to describe someone who has broken a law. Labelling theory is a theory in sociology which ascribes labelling of people to control and identification of deviant behaviour.
Hazard pictograms form part of the international Globally Harmonized System of Classification and Labelling of Chemicals (GHS). Two sets of pictograms are included within the GHS: one for the labelling of containers and for workplace hazard warnings, and a second for use during the transport of dangerous goods.
In the mathematical discipline of graph theory, a graph labeling is the assignment of labels, traditionally represented by integers, to edges and/or vertices of a graph. [ 1 ] Formally, given a graph G = ( V , E ) , a vertex labeling is a function of V to a set of labels; a graph with such a function defined is called a vertex-labeled graph .
[1] [2] The theory was prominent during the 1960s and 1970s, and some modified versions of the theory have developed and are still currently popular. Stigma is defined as a powerfully negative label that changes a person's self-concept and social identity. [3] Labeling theory is closely related to social-construction and symbolic-interaction ...
A label is an abstract concept in sociology used to group people together based on perceived or held identity. Labels are a mode of identifying social groups. Labels can create a sense of community within groups, but they can also cause harm when used to separate individuals and groups from mainstream society. [1]
The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal. [1] It is an English equivalent for art brut ( French: [aʁ bʁyt] , "raw art" or "rough art"), a label created in the 1940s by French artist Jean Dubuffet to describe art created outside the boundaries of official culture.
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell.The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), [1] and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts.
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