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A typical museum label from the De Young Museum in San Francisco. A museum label is a label describing an object exhibited in a museum or one introducing a room or area. [1] [2] At a minimum, museum labels should identify the creator, title, date, location, and materials of the work, insofar as these can be known.
Labelling or using a label is describing someone or something in a word or short phrase. [1] For example, the label "criminal" may be used to describe someone who has broken a law. Labelling theory is a theory in sociology which ascribes labelling of people to control and identification of deviant behaviour.
In the mathematical discipline of graph theory, a graph labeling is the assignment of labels, traditionally represented by integers, to edges and/or vertices of a graph. [ 1 ] Formally, given a graph G = ( V , E ) , a vertex labeling is a function of V to a set of labels; a graph with such a function defined is called a vertex-labeled graph .
[1] [2] The theory was prominent during the 1960s and 1970s, and some modified versions of the theory have developed and are still currently popular. Stigma is defined as a powerfully negative label that changes a person's self-concept and social identity. [3] Labeling theory is closely related to social-construction and symbolic-interaction ...
Regulation 1151/2012 on quality schemes for agricultural products and foodstuffs: defines "labelling" as "any words, particulars, trade marks, brand name, pictorial matter or symbol relating to a foodstuff and placed on any packaging, document, notice, label, ring or collar accompanying or referring to such foodstuff".
[2] [3] At the end of the seventeenth century, the painting became part of the Liechtenstein Collection in Vienna, Austria, along with another Rubens painting, Samson and Delilah. The Forchondt brothers sold both paintings to Hans-Adam I, Prince of Liechtenstein whom they knew through his father Karl Eusebius, Prince of Liechtenstein around ...
The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal. [1] It is an English equivalent for art brut (French: [aʁ bʁyt], "raw art" or "rough art"), a label created in the 1940s by French artist Jean Dubuffet to describe art created outside the boundaries of official
Division 2.2 Toxic gases – Gases which: are known to be so toxic or corrosive to humans as to pose a hazard to health; or; are presumed to be toxic or corrosive to humans because they have an LC 50 value equal to or less than 5000 ml/m 3 (ppm). e.g. hydrogen cyanide. Division 2.3
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