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At times of plague, it was common to mark the doors of victims of the disease with a large painted cross, either in red or black paint. In later times, large printed crosses were often affixed to doors. Daniel Defoe reported, at the time of the Great Plague in 1665, that the Lord Mayor of London, in his regulations, stated: [2]
At that time, visitors could come to the White House on weekdays, enter through the north doors, and walk down the Cross Hall past the paintings to the East Room. With a note from a congressman , visitors could view the other "State Floor" rooms, such as the Red Room , where they could see the large Grant family portrait.
The President's House. White House Historical Association and the National Geographic Society: 1986. ISBN 0-912308-28-1. Seale, William, The White House: The History of an American Idea. White House Historical Association: 1992, 2001. ISBN 0-912308-85-0. West, J.B. with Mary Lynn Kotz. Upstairs at the White House: My Life with the First Ladies.
The White House: The Historic Furnishing & First Families. Abbeville Press: 2000. ISBN 0-7892-0624-2. Seale, William. The President's House. White House Historical Association and the National Geographic Society: 1986. ISBN 0-912308-28-1. West, J.B. with Mary Lynn Kotz. Upstairs at the White House: My Life with the First Ladies.
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Lockwood's black-and-white building at Chester Cross. The Black-and-white Revival was a mid-19th-century architectural movement that revived historical vernacular elements with timber framing. The wooden framing is painted black and the panels between the frames are painted white. The style was part of a wider Tudor Revival in 19th-century ...
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This house was a lavish project for the Greene brothers, costing in excess of US$100,000.00 ($3.27 million today). Everything for the house was custom designed, down to the teak escutcheon plates of the upstairs mahogany panel doors to the linen closets with their ebony cloud adorned keys.