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Panzerlied ("Tank song") was a German military march of the Wehrmacht armored troops (Panzerwaffe), composed in 1933. [16] The NSKK (Nationalsozialistisches Kraftfahrkorps) also made their own take on the Panzerlied, but with a different variation called the Panzerwagenlied ("Armored car song").
The song begins with the line "Auf der Heide blüht ein kleines Blümelein" (On the heath a little flower blooms), the theme of a flower (Erika) bearing the name of a soldier's sweetheart. [2] After each line, and after each time the name "Erika" is sung, there is a three beat pause , which is filled by the timpani or stamping feet (e.g. of ...
Bands of this type have continued to play in Germany. Whereas in America, the rhythmically accented and innovative Bebop enjoyed a heyday until the mid-1950s, this music---unlike the Cool Jazz that had also boomed in the 1950s---was a genre German musicians were unaccustomed to. They preferred Cool Jazz, because with its emphasis on brass ...
The "Panzerlied" ('Tank Song') is a Wehrmacht march of the Nazi era, sung primarily by the Panzerwaffe—the tank force of Nazi Germany during World War II. It is one of the best-known songs of the Wehrmacht and was popularised by the 1965 film Battle of the Bulge. [1] It was composed by Oberleutnant Kurt Wiehle in 1933.
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Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
Sentimental Journey (song) Shtil, di nakht iz oysgeshternt; Si vas para Chile; Siekiera, motyka; The Sinking of the Reuben James; Smoke on the Water (Red Foley song) A Soldier Speaks; Soldier's Last Letter; Song of the Soviet Army; Stalin Wasn't Stallin' Stars and Stripes on Iwo Jima
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.