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Still Life: Vase with Pink Roses (1890) is an oil painting by Van Gogh which makes extensive use of the impasto technique. Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Still Life with French Novels and a Rose is a painting with a number of novels with bindings of contrasting colors: green against pink and red. The books are meant to represent seven Parisian novels Van Gogh owned, [ 51 ] that Van Gogh described as "a great source of light", regardless of the somber literature they contain.
Pyramid of Skulls is an oil on canvas painting produced in 1901. The subject matter was depicted in a pale light against a dark background. The composition is notable for the closeness of the skulls to the viewer. [3] Paul Cézanne. Three Skulls, 1902–1906, graphite and watercolor on paper. Art Institute of Chicago.
The catalog included detailed discussions of 80 paintings from various collection holders, that together give an overview of the best genres in Dutch still-life paintings, namely kitchen piece (keukenstuk), fruit still-life, (fruitstuk), floral still-life (blommetje), breakfast piece (ontbijtje), vanitas, hunting piece (jaagstuk), and show ...
The painting may be reminiscent for Van Gogh of the times in his youth he fled to the Zundert Woods to escape from his family. [37] In November 1882 Van Gogh began drawings of individuals to depict a range of character types from the working class, Worn Out was one of the series. The works were drawn in a black in an angular style. [38]
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