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French theatre in the 16th-century followed the same patterns of evolution as the other literary genres of the period. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue.
For plays in the French language, created by either citizens of France or francophone playwrights in other countries, please use Category:French-language plays Wikimedia Commons has media related to Plays from France .
Ondine is a play written in 1938 by French dramatist Jean Giraudoux, based on the 1811 novella Undine by the German Romantic Friedrich de la Motte Fouqué that tells the story of Hans and Ondine. Hans is a knight-errant who has been sent off on a quest by his betrothed.
On 3 September 1793, during the French Revolution, the Théâtre de la Nation was closed by order of the Committee of Public Safety for putting on the allegedly seditious play Pamela, and the actors were imprisoned though gradually released later. On 31 May 1799, the new government made the Salle Richelieu available and allowed the actors to ...
This is a category for plays originally created in the French language, either by playwrights of France or countries. ... (1723 play) L. Le Couvent, ou les Fruits du ...
Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
Georges-Léon-Jules-Marie Feydeau [n 1] (French: [ʒɔʁʒ fɛ.do]; 8 December 1862 – 5 June 1921) was a French playwright of the Belle Époque era, remembered for his farces, written between 1886 and 1914. Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment.
This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother. [1] In the first play, The Barber, the story begins with a simple love triangle in which a Spanish count has fallen in love with a girl called Rosine. He disguises himself to ensure that she will love him back for his character ...
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