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Anne Finch, Countess of Winchilsea (née Kingsmill; April 1661 – 5 August 1720), was an English poet and courtier.Finch wrote in many genres and on many topics - including fables, odes, songs, and religious verse - which are informed by "political ideology, religious orientation, and aesthetic sensibility". [1]
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Frances Ellen Watkins Harper, 1872. Frances Ellen Watkins was born free on September 24, 1825 [3] in Baltimore, Maryland (then a slave state), the only child of free parents. [4] [5] Her parents, whose names are unknown, both died in 1828, making Watkins an orphan at the age of three. [3]
Since its 1987 publication, Stealing the Language has been groundbreaking for feminist literary criticism as well as for the feminist poetry movement.Google Scholar shows that it is cited in at least 355 scholarly works with varied subjects ranging from studies of individual women poets like Anne Sexton and Adrienne Rich to books on feminist literary criticism and the gendered nature of ...
For example, the poem provoked a negative response from Lady Mary Wortley Montagu, featured in her poem “The Reasons that Induced Dr. S. to Write a Poem called The Lady’s Dressing Room.” In this poem, she voices what many thought was the reason for his writing the poem: sexual frustration.
Around 1910, Charles Villiers Stanford produced a musical setting for the poem. It is a dramatic interpretation requiring a skilled (male) vocalist and equally skilled accompanist. [17] In the 21st century it remains popular and is included on many anthologies of English song or British Art Music recorded by famous artists. [18]
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.