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The Just and the Lively. The literary criticism of John Dryden. Manchester and New York: Manchester University Press. Winn, James Anderson: John Dryden and His World. New Haven and London: Yale University Press, 1987..* Hopkins, David: An Uncollected Translation from Voiture by John Dryden. Translation & Literature, 14:1 (2005 Spring), pp. 64–70.
Download as PDF; Printable version; In other projects Wikimedia Commons; ... John Dryden (writer, died 1701) Sir Erasmus Henry Dryden, 5th Baronet; N. The Nine Muses
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All for Love; or, the World Well Lost, is a 1677 heroic drama by John Dryden which is now his best-known and most performed play. It is dedicated to Earl of Danby.It is a tragedy written in blank verse and is an attempt on Dryden's part to reinvigorate serious drama.
Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints.He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and ...
Amphitryon is an English language comedy by John Dryden which is based on Molière's 1668 play of the same name which was in turn based on the story of the Greek mythological character Amphitryon as told by Plautus in his play from ca. 190-185 B.C. [1] Dryden's play, which focuses on themes of sexual morality and power, premiered in London in 1690.
The playwright John Dryden wrote The Conquest of Granada by the Spaniards in closed couplets of iambic pentameter, and in the Preface to the printed edition of the play, Dryden proposed a new genre of drama that celebrated heroic figures and heroic actions in metre and rhyme that emphasised the dignity of heroic action.
The Rehearsal was a satirical play aimed specifically at John Dryden and generally at the sententious and overly ambitious theatre of the Restoration tragedy.The play was first staged on 7 December 1671 at the Theatre Royal, and published anonymously in 1672, but it is certainly by George Villiers, 2nd Duke of Buckingham and others.
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