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After an interval as a teacher, she returned to the same university to study art history, and received a master's degree in 1918. In 1920 she began lecturing at the School of the Art Institute of Chicago, where she would spend the rest of her career, with the exception of short appointments at UCLA and the University of Chicago. [2]
American Art in the Barbizon Mood: A Visual History. London and Chicago: University of Chicago Press. ISBN 9780226694139. OCLC 641755888. Exhibition catalog. Farr, Dorothy (1977). Horatio Walker 1858–1938. Kingston, Ontario: Agnes Etherington Art Centre. OCLC 757289234
James Elkins (born 1955) is an American art historian and art critic. He is E.C. Chadbourne Chair of art history, theory, and criticism at the School of the Art Institute of Chicago. [1] He also coordinates the Stone Summer Theory Institute, a short term school on contemporary art history based at the School of the Art Institute of Chicago.
The Harbrace History of Art. New York: Harcourt Brace Jovanovich, 1972. Smyth, Craig Hugh. 1992. Mannerism and Maniera, with an introduction by Elizabeth Cropper. Vienna, Austria: IRSA. ISBN 3-900731-33-0. Summerson, John (1983). Architecture in Britain 1530–1830. The Pelican History of Art (7th revised and enlarged (3rd integrated) ed.).
Art historian H. Harvard Arnason stated "a gradual metamorphosis took place in the course of a hundred years." [190] Events such as the Age of Enlightenment, revolutions and democracies in America and France, and the Industrial Revolution had far reaching affects in western culture. People, commodities, ideas, and information could travel ...
Constance and Fortitude in Vienna.Early modern statues with classical iconography.. Personification as an artistic device is easier to discuss when belief in the personification as an actual spiritual being has died down; [13] this seems to have happened in the ancient Graeco-Roman world, probably even before Christianisation. [14]
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Alonzo J. Aden (May 6, 1906 - October 13, 1961) was an art historian and gallerist. He served as curator of “Hall of Negro Life” at the Texas Centennial Exposition, the first major Black arts and culture exhibit at a world's fair, and the American Negro Exposition in Chicago.