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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
1898 poster. La femme brune, Alphonse Mucha.. Around 1900 Art Nouveau and postcards were at their peak. It was a period of fundamental renewal for the arts; nature and the flower-woman were, like Japonisme, a source of inspiration for artists.
Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
Maison de l'Art Nouveau was opened by Siegfried Bing in Paris: Pan magazine was founded and published by Otto Julius Bierbaum, Julius Meier-Graefe, and Richard Dehmel in Berlin: A poster for Gismonda by Alphonse Mucha was published in Paris: 1896 The poster for the cabaret Le Chat noir was created by Theophile-Alexandre Steinlen in Paris
In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. [1]
After Art Nouveau lost favor, many of Horta's buildings were abandoned, or even destroyed, though his work has since been rehabilitated. Four of the buildings he designed in Brussels were added to the UNESCO World Heritage List in 2000: the Hôtel Tassel, the Hôtel Solvay , the Hôtel van Eetvelde and the Horta House (currently the Horta Museum ).