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The song's angst-driven lyrics deal with a lack of confidence and frustration which is strongly reflected in the overall performance. Like many of Local H's songs, the guitar tuning is a half step down from standard. The song is noteworthy for the usage of the word "copacetic" in the chorus.
Used also by Silverchair in the songs "One Way Mule" and "The Lever" from their album Diorama and Stephen Brodsky used this tuning a half step down (A#G#C#F#A#D#) in Cave In and Mutoid Man; Drop B-E – B-E-D-G-b-e Standard tuning with the 6th and 5th string lowered two and a half steps down. Used by Tool in the songs "Parabol" and "Parabola".
Minor second. A semitone, also called a minor second, half step, or a half tone, [3] is the smallest musical interval commonly used in Western tonal music, [4] and it is considered the most dissonant [5] when sounded harmonically.
which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form
D Tuning, also called One Step Lower, Whole Step Down, Full Step or D Standard, is another alternative. Each string is lowered by a whole tone (two semitones) resulting in D-G-C-F-A-D . It is used mostly by heavy metal bands to achieve a heavier, deeper sound, and by blues guitarists, who use it to accommodate string bending and by 12-string ...
Open D tuning. Open D tuning is an open tuning for the acoustic or electric guitar.The open string notes in this tuning are (from lowest to highest): D A D F ♯ A D.It uses the three notes that form the triad of a D major chord: D (the root note), F ♯ (the major third) and A (the perfect fifth).
Despite its name, a semiditone (3 semitones, or about 300 cents) can hardly be viewed as half of a ditone (4 semitones, or about 400 cents). All the intervals with prefix sesqui-are justly tuned, and their frequency ratio, shown in the table, is a superparticular number (or epimoric ratio). The same is true for the octave.
A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised note is played with the same finger as the original note. Inverted major and minor chords can be played on two frets in M3 tuning.
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