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[7] [8] Hymns to goddesses are in the ancient Hindu epic Mahabharata, particularly in the Harivamsa section, which was a late addition (100 to 300 CE) to the work. [9] The archaeological and textual evidence implies, states Thomas Coburn, that the goddess had become as prominent as God in Hindu tradition by about the third or fourth century. [10]
It has been suggested by Cixous herself that more free and flowing styles of writing such as stream of consciousness, have a more "feminine" structure and tone than that of more traditional modes of writing. This theory draws on ground theory work in psychoanalysis about the way that humans come to understand their social roles.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
Feminine symbolism as being sacred and for reverence were present in ancient Hindu texts, but these were fragmentary states Brown, and it was around the sixth century CE, [55] possibly in northwest India, that the concept of Maha-Devi coalesced as the Great Goddess, appearing in the text of Devi Mahatmya of Markandeya Purana. [56]
Each hexagram is six lines, written sequentially one above the other; each of the lines represents a state that is either yin (陰 yīn: dark, feminine, etc., represented by a broken line) or yang (陽 yáng: light, masculine, etc., a solid line), and either old (moving or changing, represented by an "X" written on the middle of a yin line, or a circle written on the middle of a yang line) or ...
Batra told Insider her genre of advice is known as harnessing "dark feminine" energy, which encompasses being dominant and assertive, while leaning into womanhood. "Women love it, they absolutely ...
Writing in the Los Angeles Review of Books, V. Joshua Adams claims that Moi's book "makes a case for rejecting the approach to language that the 'theory project' produced," and that "beyond challenging the ways that literary studies thinks about language, Moi challenges the distinction between literature and life."
critial mass was reached—about one-third women.7 McKinsey also found that the 89 European-listed companies with the highest proportions of women in senior leadership positions and at least two women on their board outperformed industry averages for the Stoxx Europe 600, with 10 percent higher return on equity, 48 percent higher