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Among birds which habitually borrow phrases or sounds from other species, the way they use variations of rhythm, relationships of musical pitch, and combinations of notes can resemble music. [158] Hollis Taylor's in-depth analysis of pied butcherbird vocalizations provides a detailed rebuttal to objections of birdsong being judged as music. [ 159 ]
The Birds seemed destined for stardom with their loud rhythm-and-blues based music, receiving equal billing with the Who at some concerts. [ 2 ] However, in the spring of 1965, the Los Angeles –based band the Byrds was dominating the UK Singles Chart with their folk-rock version of Bob Dylan 's " Mr. Tambourine Man ", released by the newly ...
The album coincided with a string of successful singles by the Yardbirds, that led music critic Richie Unterberger to label it "an exploitative album". [13] Although Williamson's photo and name were prominently displayed on the album cover, a more recent photo of the Yardbirds with Jeff Beck (who replaced Clapton in March 1965) in the ...
[citation needed] The song earned a nomination for the 2007 Grammy Award for Best Male Pop Vocal Performance category. As to who Jenny Wren is, McCartney said: A wren is one of my favourite birds, little English bird, it’s the smallest English bird and I always feel very privileged to see a wren because they’re very shy and it’s just, Ah ...
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones , his debut single with a band singing lead vocals since being fired from the Clash in 1983.
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Bottom Line is an album by the English musician John Mayall, released in 1979. [1] It was produced by Bob Johnston . [ 2 ] It is the only Mayall album that has never been released on CD.
The Bottom Line Encore Collection is the fourth live album by Harry Chapin, released in 1998 (see 1998 in music) as a two-CD compilation. It was recorded at the Village in New York, and was Harry's two-thousandth concert. The setlist was composed of songs throughout Harry's music career (1972–1981).